www.kurb.co.nz

web 2.0 and artist promotion

Bob Lefsetz on Net opportunities for artists

Kurb is a media promotions company providing a regular blog on digital music promotion, marketing digital content and creating revenue from new media online.

Kurb also provides online promotion and revenue management services for musicians and artists internationally CD / DVD printing and duplication and poster services.Our physical media services come with free graphic set up and support, free delivery, and free promotions advice and support for musicians. 

 

If I get one more e-mail from a middling artist telling me how tough life is, how the Net has ruined their income, their lives, their careers, I’m gonna EXPLODE!

The Net is the very best thing that has ever happened to everybody but superstars.

We can debate the effect upon superstars at a later date…  Or the inability to be a superstar.  But if you used to have a recording deal, and you lived off the advances/royalties, and now you’ve lost your deal or your sales are off…I’VE GOT NO SYMPATHY FOR YOU!

I’m not saying people shouldn’t pay for music.  Let’s legalize P2P, let’s authorize new consumption methods, let’s cast a wide net…  But until that happens, stop crying in your beer and seize the opportunity!

The major labels are freaked out.  Because historically they’ve only made money in the recorded music sphere.  They’ve got opportunities in the future too, if they’d only step into the twenty first century.  But they’re about amalgamation, you’re about…one.

Everything you build comes back to you.  Every effort you make enhances your career.  Choices may not be as obvious, effects might not be measured instantly, but get in the game for the long haul and watch as dividends get paid.

First and foremost, for the very first time in history, you can know who your audience is.  You can collect the e-mail address of everybody who likes your music.  Maybe give a track away for free for an e-mail address.  Maybe not all of the addresses will be valid, but if they’re truly fans, they’d LOVE IT if you contacted them in the future.  This is what Led Zeppelin did with their O2 ticket sale, this is what Radiohead did with their name your own price “In Rainbows” deal, this is what Trent Reznor does again and again.  You have to harvest e-mail addresses.  So when you go on tour, when you’ve got something to sell, you can ALERT YOUR FANS!

And it’s no longer ONLY when you’re on tour.  You can sell t-shirts while you’re at home watching the tube.  People who’ve never seen you live can order a t-shirt or keychain or autographed tchotchke.  Hell, you can PERSONALIZE all your merch and sell it at an exorbitant price.  Shit, you can even ask your fans for money to record.  True fans will give you ALL their dough.  They want to support you, they’re in it for the long haul…  Unlike the label.  If your first emphasis track/single fails, the fan doesn’t drop you, he redoubles his effort, he’s even more committed, because you NEED HIM!

Stop trying to take the easy way out.  Looking for a sugar daddy, a bank.  Start doing the hard work.  Or get your spouse to do the heavy lifting.  Or enlist a fan, who will do it all FOR FREE!  Doubt me?  Then how about all those fans who establish Websites in your honor.  They’ll do the authorized one FOR NOTHING!

And that site has to be updated EVERY FUCKING DAY!  So people will continue to come back, to bond.

Just because music can be stolen doesn’t mean you can’t sell it.  Hell, look at iTunes, it exists side by side with P2P.  And sell vinyl, which can’t be downloaded and traded.  Even if people don’t have a turntable, they want the physical object as a work of art, as a totem of their dedication!

Don’t tell me you can’t get a deal.  That advances are low.  That publishing royalties are off.  That’s like lamenting you can’t find anybody to fix your cathode ray television.  That’s all HISTORY!  You’ve now gone cottage industry.  Instead of going to the bar, maybe you should get an MBA, because that’s what you’re running, a tiny corporation…that can throw off MILLIONS of dollars if you think about it and execute.

In the not so distant future, there will be entrepreneurs who will help you do this.  Who will pick up the slack for a fee.  Just like record labels do now.  At first you’ll love them, then you’ll hate them for having so much power, the same way the labels hate Apple and iTunes.  You can do this work…  If you’d just get up off your lazy butt and GO FOR IT!

Or maybe the cold hard truth is too hard to take.  You’re just not good enough.  The label that dropped you was right, they made a mistake, they shouldn’t have signed you, you’re not commercial.  Maybe only your mother and best friend truly like your music.  YOU ARE NOT ENTITLED TO AN AUDIENCE!  You must EARN your audience.  Maybe doing some experimentation isn’t such a bad thing.  Does your audience like vocals or instrumentals?  Long or short numbers?  Novelty tracks or love songs?  Sit down, write and record some material and put it up on your site.  See what’s downloaded the most.  Ask for feedback.  Ask YOUR FANS what to do, what they can do FOR YOU!  Mobilize your fan base.

You’re living in the best era for music creation and distribution in the history of mankind.  By complaining, you’re just showing your ignorance.  Knowing how to play is not enough.  Just like you can’t survive in today’s world without knowing how to type.  Don’t cling tighter to history and complain, take a typing lesson, do some research, TAKE A CHANCE!

 

 

Kurb is a media promotions company providing a regular blog on digital music promotion, marketing digital content and creating revenue from new media online.

Kurb also provides online promotion and revenue management services for musicians and artists internationally CD / DVD printing and duplication and poster services.Our physical media services come with free graphic set up and support, free delivery, and free promotions advice and support for musicians. 

 

 

May 7, 2008 Posted by Matt Turner | artist management, monetizing, music promotion, online promotion, web 2.0 | , , , | No Comments

Matt @ Kurb gets told off by NZ on Air

 

HAHAHAHAHAHAHA

 

Just got a note from Brendan Smythe, boss of NZ on Air responding to my blog

 

“New Zealand music industry funding whinge fest”

Kinda made me think, gee, I wish I worked for the government then I could spend more time emailing bloggers instead of innovating to create value.

Lets get straight to the take aways.

Blogging gives you presence and a powerful voice.

I live only a few blocks from the New Zealand Music Industry Commission. I’ve emailed them about the digital economy and the long tail.

Once I even called them up and I asked for support. Some smug fuck asked me “What do you mean, like a wheelchair?”

Now because I have a blog and an online presence and I just happen to republish a bunch of articles complaining about NZ on Air for a variety of reasons because I know my readership would be interested, I get some long letter from the head of NZ on Air taking the trouble to “correct” me.

The only point I wanted to make was that they should give 50k to amplifier to juice up their site or to somebody who will build a site so that ALL kiwi musicians can get paid, not just Brad Carter because he used to be in Steriogram. (Brad Carter is only one of 2 New Zealanders in his new band Pistol Youth BTW)

 http://www.myspace.com/pistolyouth

I’d like to do it but I’m pretty busy and I don’t know that much about web design.


(PS: I made $US3 on my blog yesterday. One click in particular made me $1.20! sweet!!! And for the record - it looks like brendan found these comments on my blog before he even realised they were on nz musician. I wonder if they’ll get taken down off NZ musician now. Thats what I’m talking about in the NZ music industry. We’re all friends. )

That - It’s not really actually the who you know thing so much any more.

Well it is, of course it is. BUT we’re living in a new era. I may sound full of myself but I don’t have any connections.

I think musicians, ESPECIALLY New Zealand musicians need to understand what I’m saying, that up until now you simply couldn’t hope to be successful in the music business without knowing personally people who were already successful.

 

I’m not friends personally with anyone in the industry. There’s only one connection I’ve made that’s been responsible for my success and that’s my connection to the internet.

 

What a beautiful thing, to understand the true meaning of being “independent” to never depend on social relationships or government money to make a living in music. There is no barrier now between artists and their niche fanbases except promotion!

Not living in Auckland (Or lets be realistic, Melbourne or Sydney) is a disadvantage. But not so much any more. I live in Auckland. Hire me and that’s half the problem solved.

But yeah, I didn’t want to be rude to Mr. NZ on Air because my main response to him was actually amused that he bothered. Cos, y’know. I was just blogging!

I’m just doing my thing!

But I did feel like making my point y’know, Muldoon is dead. There’s no hand holding in the 21st century, those who innovate, create and embrace new models will succeed regardless of some out of touch government funding agency.

I’m not being mean, but I think he probably thinks that what he thinks is gonna mean something to me, because he thinks . . .

Well let’s be honest.

How can a band make it in New Zealand without government funding?

Or is that why NZ on Air is more part of the problem, not the solution?

(PS when artists email me for an official quote as part of a request for funding application, I do purposefully ignore those requests as an official waste of time. Doesn’t look like any application with a quote from kurb on it will be getting funding any time soon anyway! haha :p)

love you Brendan. Obviously a very passionate guy commited to his work.

 

May 6, 2008 Posted by Matt Turner | NZ related, New Zealand related | | No Comments

new social music strategies

Okay right now what we have here is some more solid analysis from Andrew Dubber of new music strategies at the Futuresonic conference critiquing Scott Cohen of digital distributors The Orchard who was speaking at a session on social music.

http://newmusicstrategies.com/2008/05/03/social-music/ 

Dubber said that he was surprised to find that he agreed with so much he was saying despite his reservations with The Orchard’s business model.

See what The Orchard does made a lot more sense when getting digital distribution – itunes - negotiated for your release wasn’t as simple as just signing up for cd baby or tunecore.

I guess mainly it remains a digital distributor for high end independent artists - I think Joe Cocker is one of their clients.

In other words it’s not really DIY solution it’s a “ I can afford the luxury of paying someone else to do it” solution. You may as well sign up for a kurb coaching package at $200 p/month, helping you get your music on itunes and 30 other digital retailers  

According to Dubbers post there was also a Last.fm guy speaking at this session who presented data to suggest that giving songs away free actually led to more sales.

Because if you’re not established or you haven’t validated your music to your audience in some way then of course theyre not going to be interested.

I personally can get free music whenever I like, I only pay for music when I have to or when I am indulging my passion following the artists I love.

I can steal that music if I want but I choose not to. I listen to the song, if I like it I buy it.   

 

ANDREW DUBBER @ NEW MUSIC STRATEGIES RESPONDS TO POINTS MADE BY  SCOTT COHEN @ THE ORCHARD.

 

1. Not a website - last century
You don’t want a website. That’s a very old school idea. It shouldn’t be a brochure. You should have a place where people can engage with you and each other. There’s more on this idea in my 20 Things e-book in the section on Web 2.0.

2. MTV - “I am not an actor”
When MTV came along, a lot of musicians didn’t want to be in videos because it ‘wasn’t their thing’. The ones who became super successful were the ones who made (and appeared in) great clips. Same deal with communities online. Those who engage survive. This seems quite close to my Theatre Director’s Dilemma story.

3. Real voice - blog
There’s no point acting all superior and aloof. People want real. Again, can’t argue here. I’ve talked about this stuff in terms of ‘selling relationship’.

4. Statement - stand for something
If you plant your flag and stand for something, then people have something to align themselves with. It strengthens and builds community around a shared set of values. There’s good further reading in the book The Culting of Brands.

5. Update continuously - dynamic
Nobody’s coming back to a community that only updates once a month or once a week. There should be constant, dynamic action. You and I have had this conversation.

6. Engage with audience - responsive
You can’t just open a community and have others do the work. Does Beyonce respond to comments in her MySpace page? No - and nobody believes she does. You have to actually be part of the discussion. This is good advice. You can’t fake engagement.

7. Remove non-members - spam
Your community is like a garden. Weed it. If people don’t play by the rules, kick them out. Nobody wants to be part of a community that is not policed. I’m not as sold on this beyond the elimination of spam. Communities can be self-healing and responsive rather than being gated areas with burly security guards. I’d say use the community to keep the community in order.

8. Shopping - not buying
Dont’ put a ‘Buy It’ button everywhere. If people want to make a purchase, they’ll go to the right page or alternatively, they know where iTunes and Amazon are. They’re not stupid. So let them just shop around. Leave them alone. This is good advice. A ‘find out more’ button might be more appropriate.

9. Feed the audience - free
Give them free stuff constantly. Keep the gift channels open at all times. I’ve talked about this in terms of rewarding and incentivising your audience.

10. Build to an event - ongoing promotion
The reason X-Factor and Pop Idol work is that Simon Cowell doesn’t just come out on the stage and say “We spent the last few months scouring the country for the best in the land, and here they are. Now buy the record.” It’s the build-up, the narrative and getting to know the characters that makes it work. It’s absurd that Coldplay disappear for two years, and then come back with a new album - “tah-dah! Miss us?”

May 4, 2008 Posted by Matt Turner | online promotion, web 2.0 | , , , , , | No Comments